Elizabeth Glaessner - Circling, Signed (2016, Pigment Print on Paper)
Dimensions: 9" x 12"
Medium: archival pigment print on 330 gsm cotton rag paper
Limited edition of 50, 2016
Accompanied by certificate of authenticity signed and numbered by the artist
Created using pure pigments dispersed with water, acrylics, and oils, Elizabeth Glaessner renders imagined scenes that exist in fluid limbo; actions are just as readily interpreted as joyful as they are violent while her figures defiantly withstand characterization of either gender. In Circling, Glaessner's composition recalls art historical references of The Three Graces but thwarts traditional interpretation with the addition of an eerie fourth figure. The darkly dreamlike quality of the piece is enhanced by a saturated landscape that melts into the foreground, figures circling endlessly in a clouded embrace.
Dimensions: 9" x 12"
Medium: archival pigment print on 330 gsm cotton rag paper
Limited edition of 50, 2016
Accompanied by certificate of authenticity signed and numbered by the artist
Created using pure pigments dispersed with water, acrylics, and oils, Elizabeth Glaessner renders imagined scenes that exist in fluid limbo; actions are just as readily interpreted as joyful as they are violent while her figures defiantly withstand characterization of either gender. In Circling, Glaessner's composition recalls art historical references of The Three Graces but thwarts traditional interpretation with the addition of an eerie fourth figure. The darkly dreamlike quality of the piece is enhanced by a saturated landscape that melts into the foreground, figures circling endlessly in a clouded embrace.
Dimensions: 9" x 12"
Medium: archival pigment print on 330 gsm cotton rag paper
Limited edition of 50, 2016
Accompanied by certificate of authenticity signed and numbered by the artist
Created using pure pigments dispersed with water, acrylics, and oils, Elizabeth Glaessner renders imagined scenes that exist in fluid limbo; actions are just as readily interpreted as joyful as they are violent while her figures defiantly withstand characterization of either gender. In Circling, Glaessner's composition recalls art historical references of The Three Graces but thwarts traditional interpretation with the addition of an eerie fourth figure. The darkly dreamlike quality of the piece is enhanced by a saturated landscape that melts into the foreground, figures circling endlessly in a clouded embrace.
