Christian Rex van Minnen - Parallax, Signed (2022, Pigment Print)

$3,300.00

Christian Rex van Minnen - Parallax

Dimensions: 29.5in x 20.1in

Medium: Archival pigment print on matte 350gsm Hahnemühle Museum Etching paper

Finishing: Individually signed and numbered by the artist.

Edition size: 606

COA included with white gloves from publisher.

New condition

New and old collide in absurdist rewrites of still life traditions by Christian Rex van Minnen.

Parallax – van Minnen’s first print release in more than 10 years – is based on an oil on linen original, in which he employs Venetian painting techniques that predate him by several hundred years. The work’s title references the compositional logic underpinning its assemblage of foliage, gummy sweets and embryo.

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Christian Rex van Minnen - Parallax

Dimensions: 29.5in x 20.1in

Medium: Archival pigment print on matte 350gsm Hahnemühle Museum Etching paper

Finishing: Individually signed and numbered by the artist.

Edition size: 606

COA included with white gloves from publisher.

New condition

New and old collide in absurdist rewrites of still life traditions by Christian Rex van Minnen.

Parallax – van Minnen’s first print release in more than 10 years – is based on an oil on linen original, in which he employs Venetian painting techniques that predate him by several hundred years. The work’s title references the compositional logic underpinning its assemblage of foliage, gummy sweets and embryo.

Christian Rex van Minnen - Parallax

Dimensions: 29.5in x 20.1in

Medium: Archival pigment print on matte 350gsm Hahnemühle Museum Etching paper

Finishing: Individually signed and numbered by the artist.

Edition size: 606

COA included with white gloves from publisher.

New condition

New and old collide in absurdist rewrites of still life traditions by Christian Rex van Minnen.

Parallax – van Minnen’s first print release in more than 10 years – is based on an oil on linen original, in which he employs Venetian painting techniques that predate him by several hundred years. The work’s title references the compositional logic underpinning its assemblage of foliage, gummy sweets and embryo.

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