Gerhard Richter (German, b. 1932) - ‘Familie Ruhnau’ Pigment Print, Framed
Gerhard Richter (German, b. 1932) - ‘Familie Ruhnau’ Pigment Print, Framed. Pigment print on heavy art paper. Housed under non glare acrylic in a new white metal gallery frame. In excellent condition.
Size: 23”W x 15.5”H
Richter created various painting pictures from black-and-white photographs during the 1960s and early 1970s, basing them on a variety of sources: newspapers and books, sometimes incorporating their captions, (as in Helga Matura (1966)); private snapshots; aerial views of towns and mountains, (Cityscape Madrid (1968) and Alps (1968)); seascapes (1969–70); and a large multipart work made for the German Pavilion in the 1972 Venice Biennale. For Forty-eight Portraits (1971–72), he chose mainly the faces of composers such as Gustav Mahler and Jean Sibelius, and of writers such as H. G. Wells and Franz Kafka.
Gerhard Richter (German, b. 1932) - ‘Familie Ruhnau’ Pigment Print, Framed. Pigment print on heavy art paper. Housed under non glare acrylic in a new white metal gallery frame. In excellent condition.
Size: 23”W x 15.5”H
Richter created various painting pictures from black-and-white photographs during the 1960s and early 1970s, basing them on a variety of sources: newspapers and books, sometimes incorporating their captions, (as in Helga Matura (1966)); private snapshots; aerial views of towns and mountains, (Cityscape Madrid (1968) and Alps (1968)); seascapes (1969–70); and a large multipart work made for the German Pavilion in the 1972 Venice Biennale. For Forty-eight Portraits (1971–72), he chose mainly the faces of composers such as Gustav Mahler and Jean Sibelius, and of writers such as H. G. Wells and Franz Kafka.
Gerhard Richter (German, b. 1932) - ‘Familie Ruhnau’ Pigment Print, Framed. Pigment print on heavy art paper. Housed under non glare acrylic in a new white metal gallery frame. In excellent condition.
Size: 23”W x 15.5”H
Richter created various painting pictures from black-and-white photographs during the 1960s and early 1970s, basing them on a variety of sources: newspapers and books, sometimes incorporating their captions, (as in Helga Matura (1966)); private snapshots; aerial views of towns and mountains, (Cityscape Madrid (1968) and Alps (1968)); seascapes (1969–70); and a large multipart work made for the German Pavilion in the 1972 Venice Biennale. For Forty-eight Portraits (1971–72), he chose mainly the faces of composers such as Gustav Mahler and Jean Sibelius, and of writers such as H. G. Wells and Franz Kafka.
