Benton Murdoch Spruance (American, 1904-1967) - Untitled Lady with Snake Lithograph, Signed (1947, Framed)
Benton Murdoch Spruance (American, 1904-1967) - Untitled Lady with Snake Lithograph, Signed (1947, Framed). Figurative lithograph housed under glass in a dark grey frame. New archival matte. Signed in the lower right corner. In good condition with wear and toning consistent with age.
Size: 24.75”H x 19”W
A pioneer in color lithography, Benton Spruance spent most of his life in Philadelphia, where he attended the Pennsylvania Academy of the Fine Arts and became one of the city's leading artists. In the twenties and thirties Spruance was known for prints that one critic described as his "velvety urban scenes and 'social conscious' series," which chronicled the life of ordinary men and women at work and play. However, Spruance was also a painter and draftsman who during this period took advantage of two Guggenheim fellowships to travel throughout the United States and Europe and sketch landscapes.
In the forties Spruance began producing moody, psychologically charged lithographic portraits of women, followed by mystically tinged work, based on biblical passages, that became increasingly subtle and sculptural in effect. Despite the demand for his work (he produced more than 500 lithographs during his career), Spruance continued to teach. At the time of his death, he was chairman of the art department at Beaver College and had recently retired from the chairmanship of the printmaking department at Philadelphia College of Art.
National Museum of American Art
Benton Murdoch Spruance (American, 1904-1967) - Untitled Lady with Snake Lithograph, Signed (1947, Framed). Figurative lithograph housed under glass in a dark grey frame. New archival matte. Signed in the lower right corner. In good condition with wear and toning consistent with age.
Size: 24.75”H x 19”W
A pioneer in color lithography, Benton Spruance spent most of his life in Philadelphia, where he attended the Pennsylvania Academy of the Fine Arts and became one of the city's leading artists. In the twenties and thirties Spruance was known for prints that one critic described as his "velvety urban scenes and 'social conscious' series," which chronicled the life of ordinary men and women at work and play. However, Spruance was also a painter and draftsman who during this period took advantage of two Guggenheim fellowships to travel throughout the United States and Europe and sketch landscapes.
In the forties Spruance began producing moody, psychologically charged lithographic portraits of women, followed by mystically tinged work, based on biblical passages, that became increasingly subtle and sculptural in effect. Despite the demand for his work (he produced more than 500 lithographs during his career), Spruance continued to teach. At the time of his death, he was chairman of the art department at Beaver College and had recently retired from the chairmanship of the printmaking department at Philadelphia College of Art.
National Museum of American Art
Benton Murdoch Spruance (American, 1904-1967) - Untitled Lady with Snake Lithograph, Signed (1947, Framed). Figurative lithograph housed under glass in a dark grey frame. New archival matte. Signed in the lower right corner. In good condition with wear and toning consistent with age.
Size: 24.75”H x 19”W
A pioneer in color lithography, Benton Spruance spent most of his life in Philadelphia, where he attended the Pennsylvania Academy of the Fine Arts and became one of the city's leading artists. In the twenties and thirties Spruance was known for prints that one critic described as his "velvety urban scenes and 'social conscious' series," which chronicled the life of ordinary men and women at work and play. However, Spruance was also a painter and draftsman who during this period took advantage of two Guggenheim fellowships to travel throughout the United States and Europe and sketch landscapes.
In the forties Spruance began producing moody, psychologically charged lithographic portraits of women, followed by mystically tinged work, based on biblical passages, that became increasingly subtle and sculptural in effect. Despite the demand for his work (he produced more than 500 lithographs during his career), Spruance continued to teach. At the time of his death, he was chairman of the art department at Beaver College and had recently retired from the chairmanship of the printmaking department at Philadelphia College of Art.
National Museum of American Art
